EXPIRES: September 7, 2025

Singing Audition for “Oliver” Play

Singing Theater
Paying up to $546/week
Description

Talent are welcome to audition for the “Oliver” Musical. Please see the details below.

ONLY LOCAL TALENT WILL BE ACCEPTED.

About the project:
Oliver! is a musical adaptation of Charles Dickens’ novel “Oliver Twist,” telling the story of a young orphan navigating the harsh realities of Victorian England while searching for love and belonging. Oliver! is celebrated for its engaging storytelling, memorable music, and its ability to address serious social issues through a lens of hope and resilience. The musical has enjoyed numerous revivals and adaptations, including a successful film version that won six Academy Awards, including Best Picture. It remains a staple in musical theatre, beloved by audiences of all ages.

Additional info:
CALLBACKS: September 20, 2025.
REHEARSALS:
(Closed Rehearsals: Rehearsals at NYT are closed to observers.)
September 26-November 22 (no rehearsals Thanksgiving Weekend)
Fridays, 5:30 p.m.-8:30 p.m. & Saturdays, 9:30 a.m.-2:30 p.m.
TECH WEEK:
Move-in on November 30
December 1-4 (No conflicts allowed for Tech Week or Shows)
5:30-9:30 p.m.
PERFORMANCES:
December 5, 7 p.m.
December 6, 2 p.m. & 6 p.m.
December 7, 2 p.m. & 6 p.m.
Note that a participation fee will be involved.
See the attachment for details.

If interested, please apply by 10 p.m. on Wednesday, September 17..

30 Project roles
Fagin
18
-
19.
A clever criminal who trains homeless boys to pickpocket for him. Despite his manipulative nature, he shows moments of self-awareness. As a charming conman, his humor and charisma make him both intriguing and relatable. Singer/Actor role- baritone vocal; Cockney accent. Fagin is a character baritone rather than a classical baritone; the role requires strong acting and comedic timing more than virtuosic vocal ability. Key Songs: Pick a Pocket or Two, Reviewing the Situation
Application deadline closed.
Nancy
18
-
19.
A tough, streetwise young woman with a heart of gold, she is the abused partner of Bill Sikes and a former worker for Fagin. Now a “barmaid” at the Three Cripples Bar, she is intelligent and pretty, longing for a better life while risking everything to protect Oliver. Singer/Actress role- Mezzo/Soprano strong belt; should have decent movement/dance skills. Cockney accent. Nancy’s role is vocally demanding. Key Songs: As Long As He Needs Me, It’s a Fine Life, Oompah-Pah
Application deadline closed.
Bill Sikes
18
-
19.
(Older-looking teen male) Sikes is a violent and brutal criminal who rules by fear and intimidation. He is controlling and abusive, especially toward Nancy, and is feared by all. Once a youth under Fagin, he is now a notorious master criminal—good-looking in a rough way and a scoundrel who only thinks of himself. Singer/Actor role- baritone vocal; Cockney accent. The role is dark and intense, requiring more speak-singing than melody. Key Song: My Name
Application deadline closed.
The Artful Dodger (Jack Dawkins)
18
-
19.
(Young boy that’s taller than Oliver and seems to be a bit more street smart) A charismatic and confident young pickpocket, he is Fagin’s best pupil and recruits Oliver into the gang. Street-smart and clever, he is energetic and eager to teach Oliver about life on the streets. Singer/Actor role- unchanged male vocal; Cockney accent; Requires precise rhythm, strong stage presence, and agile vocals. Key Songs: Consider Yourself, I’d Do Anything
Application deadline closed.
Charley Bates
18
-
19.
(Young boy around Dodger’s size) A spirited and mischievous member of Fagin’s gang and the Artful Dodger’s close companion. Unlike Dodger, he’s more goofy than slick, often providing comic relief. Singer/Actor- boy soprano (Treble) unchanged male voice ; Cockney accent.
Application deadline closed.
Mr. Bumble
18
-
19.
The Master of the Workhouse. A large, pompous, and corrupt bureaucrat; self-important beadle of the workhouse. He is more concerned with appearances and authority than with compassion. Often played for comedy. Key Songs: Boy for Sale, I shall Scream Singer/Actor role- bass/baritone vocal; Cockney accent. Lower notes (A2–B2) should be confident and resonant, while the upper range (D4–E4) requires control without sounding forced. Key Song: Boy for Sale
Application deadline closed.
Widow Corney
18
-
19.
She is the Matron of the Workhouse, flirtatious and self-serving. She marries Mr. Bumble and, like him, shows a lack of compassion, contributing to Oliver’s mistreatment. She is a sharp-tongued, corrupt widow. Singer/Actress role- mezzo/ soprano character vocal; Cockney accent. The ability to enhance dramatic or humorous moments vocally. Duets with Mr. Bumble require good vocal control, clear musical timing, and expressive character. Key Song: I Shall Scream
Application deadline closed.
Mr. Brownlow
18
-
19.
A kind, wealthy gentleman who takes Oliver in, symbolizing safety and compassion, and is later revealed to have a connection to Oliver’s past. Actor role- British accent (not Cockney). Requires strong acting ability, a warm and paternal presence, and clear speech more than vocal strength.
Application deadline closed.
Bet
18
-
19.
She is a younger friend of Nancy and a fellow member of Fagin’s circle. She admires Nancy and often joins her in musical numbers. Singer/Actress role – mezzo/soprano vocals; should dance/ move well. Cockney accent. Youthful character role; she sings harmonies with Nancy and the other children. Requires a clear tone, good pitch, warm stage presence, and the ability to match Nancy’s emotions. Light acting and movement needed. Key Song: It’s a Fine Life, I’d do Anything
Application deadline closed.
Noah Claypole
18
-
19.
A bullying, cowardly apprentice at the undertakers’ where Oliver is sent to work. He mocks and mistreats Oliver. Actor role- baritone vocal; Cockney accent: comedic villain role, character-driven with some ensemble singing. Key Song: That’s Your Funeral
Application deadline closed.
Charlotte
18
-
19.
The flirtatious daughter of the undertaker, often portrayed as silly and self-involved. She joins in mocking Oliver. Usually paired with Noah. Actress Role- mezzo/soprano; Cockney accent; a good fit for a performer who’s a confident actor and comfortable with supporting vocals. Key Song: That’s Your Funeral
Application deadline closed.
Mr. Sowerberry
18
-
19.
The gloomy undertaker who takes Oliver as an apprentice is melancholic and tightfisted. While not overtly cruel, he neglects Oliver’s mistreatment and shows little compassion. Singer/Actor role- Baritone Vocal; Cockney accent. Duet with Mrs. Sowerberry – Comedic and theatrical, focusing on timing and diction rather than vocal power. The role emphasizes character acting with dry humor and macabre wit. Key Song (Mr. Sowerberry): That’s Your Funeral
Application deadline closed.
Mrs. Sowerberry
18
-
19.
Mrs. Sowerberry, the undertaker’s wife, is sharp-tongued and unkind to Oliver. She is more business-savvy than her husband and is a domineering woman with little patience for either of them. Singer/Actress role- mezzo/soprano vocal; Cockney accent. The role is comedic and exaggerated, requiring speak-singing, theatrical delivery, sarcasm, shrill energy, and clear diction. Key Song (duet with Mr. Sowerberry): That’s Your Funeral
Application deadline closed.
Dr. Grimwig
18
-
19.
Dr. Grimwig is a blunt and eccentric family friend of Mr. Brownlow, known for his upper-class mannerisms, British Received Pronunciation accent, and exaggerated gestures. Actor role-Needs excellent comic timing, clear articulation, and a strong stage presence.
Application deadline closed.
Mrs. Bedwin
18
-
19.
Mrs. Bedwin, Mr. Brownlow’s compassionate housekeeper, plays a vital role in Oliver’s healing. She is perceptive, recognizing his innocence, and treats him with genuine kindness. Singer/Actress role- mezzo/soprano vocal; British (not Cockney) accent; requires a warm, sincere presence and strong acting ability.
Application deadline closed.
Old Sally
18
-
19.
Old Sally, a dying woman, reveals a key secret about Oliver’s birth at the story’s beginning. Present at Oliver’s mother’s death, she confesses to stealing a locket or ring from her. This revelation uncovers Oliver’s true identity and noble heritage. Acting role- Cockney accent: Appears briefly in early scenes with Widow Corney, often in a quiet setting that emphasizes the seriousness of the moment.
Application deadline closed.
Workhouse Children
18
-
19.
Ensembles: These are the children who live under harsh conditions in the parish workhouse run by Mr. Bumble and Widow Corney. Songs: Food, Glorious Food, Oliver!
Application deadline closed.
Fagin’s Gang
18
-
19.
Ensembles: A group of streetwise orphan boys and girls trained by Fagin to steal for survival. They’re cheeky, clever, and surprisingly loyal to each other. Songs: Consider Yourself, Pick a Pocket or Two, Be Back Soon, I’d Do Anything
Application deadline closed.
Workhouse Assistants
18
-
19.
Ensembles.
Application deadline closed.
Cooks
18
-
19.
Ensembles.
Application deadline closed.
Maids
18
-
19.
Ensembles.
Application deadline closed.
Attendants
18
-
19.
Ensembles.
Application deadline closed.
Workers
18
-
19.
Ensembles.
Application deadline closed.
Bureaucrat Visitors
18
-
19.
Ensembles.
Application deadline closed.
London Townspeople
18
-
19.
Ensembles.
Application deadline closed.
Street Criers
18
-
19.
Ensembles.
Application deadline closed.
Crowd of Onlookers
18
-
19.
Ensembles.
Application deadline closed.
Police Officers
18
-
56.
Ensembles. (Bow street runners)
Application deadline closed.
News Reporters
18
-
56.
Ensembles.
Application deadline closed.
Soloists
18
-
56.
Ensembles.
Application deadline closed.